Black Trash Bag Witch Costume

To start, you’ll need 10 black garbage bags with drawstrings like black shoelaces or black rope or black ribbon for the witch dress. Items from the hardware store or drugstore like the painter’s tape and electrical tape shown above can be suitable.  Shiny black electrical tape can be used just for trimming a black shirt or sweater to look like Halloween, but other tape can be fun too, especially if the colors are orange and black (see image).

The type of tape available at the hardware store can be extremely festive and help anyone get into the Halloween “spirit”. A orange and black polka dot ribbon worn in the hair or tied around an arm can be “cool” enough for a party when someone doesn’t feel like dressing up. Some people even create witch dress costumes by twisting the black trash bags into ropes or braiding them into belts. This way the bags can be re-used as real trash bags.

But a black trash bag witch dress costume is not meant to be worn next to skin. I recommend using a green turtleneck or t-shirt under the witch dress garbage bag costume to separate skin from plastic. Green leggings or tights can also serve this purpose and prevent unnecessary exposure from ripped or torn garbage bag fringe. Wear horizontal striped tights like from the Wizard of Oz or a dark slip beneath the witch skirt. Colder Trick or Treat areas will have more need for layers like this.

Many Halloween costume makers, such as Martha Stewart, have a quick and cheap way to make a witch dress costume out of black plastic trash bags. Care must be taken that the most fireproof bags possible should be used. Materials used in packaged childrens’ Halloween costumes are limited by federal standards for fireproof fabrics and finishes.

Using a dollar store box of black trash bags to make a costume is indeed economical. But these materials were not designed to be worn next to skin and should be tested for allergic reaction against a child’s skin before Halloween night. Even thrift store green clothing purchased for one night of wear under the black plastic is better than extended direct contact with skin.

For the witch dress bodice, trim the seam closure off the bottom of one bag and turn it inside out. This makes the witch dress from the shoulders and armhole to the neck and waist. Reinforce neckline area in a “collar’ formation using black matte painter’s tape. This tape has a matte finish and a narrow band effect. Striping the skirt with the tape can make a slinky looking shiny effect.

Use one black trash bag each for the sleeves. Trim the straight hem or sleeves of a black witch dress costume, use shiny plastic PVC electrical tape. This tape also looks good on hats and can reinforce a staff or broom carry handle.

Make armholes by separating likely edges of the bag sides and cutting or tearing them open. Lay each bag flat, working from one folded side and the bottom edge corner. About seven inches for an adult, 5 inches for a child should do it. For sleeves, cut the bottom of the trash bag the length of this “sleeve” measurement from either corner edge. Open mouth of bag is the sleeve cuff, cut sleeve diameter will attach to the main trunk bag section.

Duct tape sleeves to main bag. Match sleeve bag corners to sleeve areas of main trunk section bag. Close undersides of jointures of sleeves to trunk bag sections, using duct tape to fasten both sections inside out.You can use pins to work section by section. Leave a small section unfastened for armhole  ventilation.

Use seven inch strips of tape as there will be curvatures. Overlap edge until seam is fastened all the sleeve around. Turn “garment” inside out. Use black matte tape or shiny tape on outside facing of the sleeve seams to cover duct tape showthrough and create a trim.

Skirt How-To
Cut off bottoms of 1 extra large black trash bag. Drawstring type helps. Lay bags on floor. Any extra large trash bag should cover a child or adult with room to spare, leaving the drawstring to serve as a waistline gathered belt. Cut off the bottom of the bag one inch, rending the trash bag now a step-in skirt. Fringe the bottom with vertical slits to make it look wispy.
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Disney Crafts Halloween Books

If you have a chance grab the Disney Store Halloween Craft book at bookstores and drugstores now. Full of the cutest crafts and some of them are using recycling items. There is a witch slammed against a tree you can build, and many cute party foods like brain (frosting) cupcakes and icky zomby fingers (string cheese sticks with green pepper “fingernails”). The picture shows flour dough ghosts and paper bags twisted into the shape of trees.

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How to Make Witch Makeup for Halloween

Don’t forget to get your makeup ahead of time, and get enough makeup and plan ahead for time with it to experiment.  Have fun seeing how creepy, scary or weird you can look. Ask parents or siblings for advice with how you’ll wear it on the big night. Take notes on how you apply it, you’ll want to remember the best way later!

Is makeup too garish? With a stark black costume, makeup and effects will really stand out. If you feel shy about wearing witch makeup, blot with baby powder. Try makeup “rehearsals” with the costume on. Take pictures along the way. You’ll see how rubbed down makeup looks faded with the costume on.

Not sure about wearing full witch makeup? Even a forehead “wound” with red blood or both eyelids painted with solid eyeshadow will be enough drama for the big night. Draw an outline to blood “stains” with lip liner. Heavy black eyebrows can be drawn in. Gold or silver hoop earrings work too.

No money for makeup? Try this:

Homemade Witch Dress Halloween Makeup:

Ingredients:

* Popsicle sticks or coffee stirrers(or plastic forks)
* Few small sprinkles of baby powder
* 2 Tbsp cornstarch
* 1 Tbsp solid shortening Crisco/baby oil)
* 1 Red /1 Yellow or 1 Blue or 2 Green food color drops

This paste can be thinned out with mineral oil (baby oil) if it gets gloppy. Some recipes suggest using Crisco, which is fine unless you have sensitive skin. Corn syrup and peanut butter can be used but these attract flies and ants, too much bother and not recommended.

Note: Glue should be used for prosthetics only, it blocks pores and skin aspiration when it dries and can be toxic to skin. Fake noses and chins might held on with elastic, too. Never use glue or any product other than mascara near eyes. Don’t use kitchen items that look like the right color, ask an adult first.

Prosthetics/Effects

For grisly vampire-type witches, red “blood” may be dripping from mouth, etc. Oatmeal mixed with red food coloring makes zombie witch gore that can be papier mache’d to the face in layers. Use glue in corresponding areas between fake noses and chins, and natural cornstarch mixture on skin.

An EYEPATCH makes an excellent witch dress-up accessory. You can make one by taping black felt and gluing it onto a black ribbon, or taking a piece of black elastic and sewing or stapling it to make a headband. Cover with velcro or use a velcro fastener to close the elastic strap. If the eyepatch band elastic is long enough, you can tie it in the back and hide it under long hair.

Witch makeup from stores can be sheer and sparkly, like a lip gloss or liquid blush, or deep toned makeup like the green or blue skin makeup from movies.

For a sheer ace makeup, use a lip gloss with extra glitter added on forehead, cheeks and chin if no solid color witch makeup is desired. Use a gray eyeliner to draw “wrinkled” on forehead, nose, chin and from corner of nostrils to end of mouth. Blend each line equally into makeup.

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The Emerald Wand

This book by Sherwood Smith purports to be a sort of follow-up to the Wizard of oz, but updated and with a changed Oz. The royal Ozma is the girl fairy queen, but there is a new Wicked Witch of the West, Bastinda. A tornado sweeps the Kansan relatives of Dorothy to Oz, where they sort things out. The kingdom is under an evil spell, which of course means a journey and a search for the magic wand. A good read for young girls and preteens and excellent for read aloud story hour.

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Wicca A Guide for the Solitary Practitioner

Wicca A Guide for the Solitary Practitioner

Wicca,  A Guide for the Solitary Practitioner, is by Scott Cunningham and includes his Book of Shadows in the text. This book is a very read-friendly primer that lightly touches on basic themes of Wicca like invocation and Mirror Books and Meditations. Recipes like Beltane custard and combinations of incense make for intriguing reading ad craft projects.

Wicca, A Guide for the Solitary Practitioner, has an herbal bent which picks up the botanical note cherished by vegetative Wiccans. Ritual Design and Self-Dedication are important parts of the Wiccan practice and the history stories of these rituals allow for some light breadth of the myths and lore. Mixtures of oils and ritual chants allow the casual practitioner to enjoy the mystic culture of Wicca for themselves.

Wicca A Guide for the Solitary Practitioner is good reading for a young adult or mature person who can handle the obvious moral themes and decisions involved.

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A Witch’s Grimoire

While the “A Witche’s Grimoire” book may not be as flashy as some of the new era fiction in the witch literature section, the authorship caught my eye. A Witche’s Grimoire is by Gavin Frost, Ph.D and Yvonne Frost, D.D, who term themselves the Founders of the Church and School of Wicca. The text suggested a revised and updated edition, but also specifically mentioned amulets and talismans. For a person planning an authentic witch costume many Wicca symbols and the importance of jewelry can be helpful.

This book contains a very positive energy. While some witchcraft books have a somber and suggestive note, this one reads more like a self-help book out of depression with a few cheery spells and charts. How do ancient omens, portents and charms play into this? One learns in A Witche’s Grimoire about tamulets and hex signs and other witchly traditions. But the spheres of influence and the other themes in this book are not for children.

The readership for the book A Witche’s Grimoire should be an adult. Some of the phrasing will not be understood in or out of context by today’s young readers. This book illustrates in part why so many “new’ witch books are so popular (and why so many of them are being written). Magic Money Balance and other concepts as written here seem more entertaining than serious.

The devotees of Wicca will embrace this book, while others will find it heavy sledding. There are many anecdotal stories included which have the feel of a get-rich-quick advertisement. Some of the claimed religious and spiritual totems were described as having qualities or characteristics I do not believe.  Do people wear rings as safeguarding devices to control the flow of energy out of the body? Do belt buckles guard the solar plexus from negative energy?

The connection of inpourings of money and fair fortune connected to placement of amulets in a courtroom has a “magical belief system” warning over it, or should have. Any book that connects the wearing of jewelry and chanting directly to $100,000 reads like a phony sales pitch. The anecdotal scenarios seem to guarantee getting the man you love if you can send him the right necklace or crystal.

The transliteration of the device and amulets and personal fortune devices like rings is interesting. This is because there are people among who who are stalwart in their beliefs regarding the power of these objects and live their lives that way. But highly suggestible people may find this book somewhat persuasive to a case not yet proven. The use of rings, charms, and amulets to actually influence others is a mystical practice not actually demonstrated to work.

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Practical Celtic Magic

Practical Celtic Magic, A Working Guide to the Magical Heritage

by Murry Hope

The roots of Druid Magic and Northeastern Europe, especially Ireland and the United Kingdom as its historical core is emphasized in this book. A fanciful celebration of both folk myth and Celtic cultural history, the appearance of “vulgar” red haired Boudicaa to a Roman writer is compared to impression of overdecorated and vain Celts on their immediate neighbors.The comic-book Druid here is less a caricature than a fleshed out mythic character made real.

But Practical Celtic Magic, A Working Guide to the Magical Heritage does not stoop to any audience. Preteens may be as young as can understand some of literary and historical ideas outlined here. The writings of Plutarch and Polybius blend with folk songs and historical half-legend. There is a depth to this writing that is absorbing and suitable t an imaginative reader able to grasp (or look up) more complicated words and themes.

Although Hope paints her Celts as hedonistic and war-loving, their status as historical contemporaries of the Romans positions them in counterpoint to the polytheism of the day. Druids were powerful and administrators of justice, and their observance of Celtic religious rituals absolute. Irish mythological sources and the Welsh tradition bring many intriguing folk tales to light.

Practical Celtic Magic, A Working Guide to the Magical Heritage makes the runic world of ancient Ireland come alive with Arthurian grails and singing stones. These icons are the fabric behind the figures seen in classic Celtic fairy drawings and illustrations. Eddic Literature and connection to the emerging Christian tradition bridges the historical time of the Druids to the Enlightenment and then the New World. These Celtic traditions are the wellspring from “which” the witchcraft lore begins.

It’s unusual to think of Celtic Christianity and God but the entire Celtic ideal incorporates totemic symbolism of the horse with early Christian influences. The fantasy of bards and druids, trees and fairies is almost the cornerstone of literary works from British authors like C. S. Lewis and J. R. R. Tolkien. Not many people worry about splitting hairs between Celtic witch deities and Aryan ones, but the elements are well investigated and described. The Arthurian legends and Taliesin(Merlin) and Celtic trees are also touched on. This book fairly well describes the birth pangs of modern Wicca.

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Magic, Witchcraft, and Religion

Magic Witchcraft, and Religion
An Anthropological Study of the Supernatural

by Arthur C. Lehmann and James E. Myers

This book presents as a medium size heavyweight softcover reference guide, with African masks and totems on the cover. The book begins with tracing the spiritual beginnings of religion and moving into myth, ritual and symbolism. This is the part where witchery really gets going. The relationship of the human body to rituals and what we eat is described and examined.

Magic Witchcraft, and Religion, tells the tale of the witch from the ancient beginning of the myth to everyday imaginings of TV. Wicca stems logically from beginnings. But there s always the African and Roman Catholicism influences to consider on the religion of witchcraft as such. The book reaches in scope from the cults of contemporary society back to the origins of Australian native spiritualism.

There seems to be a parallel between discover of upper level human science and the birth of notions of sorcery and witchcraft. Almost as if humanity needed to evolve a totemic figure in counterpoint to actual biology and chemistry and physics. Cauldrons and Witches do figure into this book, but the are more part of the entire human tapestry. Multi-authored chapters and suggested reading provide a solid foundation of more academic investigation to follow. This third edition builds on an obviously popular book audience.

It is the religious ideals of good and evil that polarized ideas about witches, if one follows this book. The association of demons and divination attended the mythic status of witches as empowered creatures. Death and its ghostly hand reaching out to the popular cultural and ideas about hauntings and Voodoo beliefs make thought provoking reading. Magic Witchcraft, and Religion is very readable and a dense vacation or beach read with longevity.

But the academic voice can’t be ignored. This book is less for a child, teenager or adult looking for entertainment than a cultural study. This book is likely to be on the shelf of every devotee of Wicca or should be. This book examines in detail (and without a religious bent) where witchcraft reaches and why in our experience. Certainly the relationship of witches to the occult is mentioned, yet it is the entire lens of the witchcraft myth that emerges from the body of the writings. A useful, even-keeled and informative book.

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Pop Goes the Witch

Pop Goes the Witch is subtitled “The Disinformation Guide to 21st Century Witchcraft.” in it the author, Fiona Horne, presented a compilation of edited texts treating modern witchcraft in a context of Wiccan discovery. Coming out of the broom closet is how the author describes her personal journey after years in a rock band, with a media career to follow.

For those who want to know the difference between ceremonial and operational witchcraft, as well as how to blend Wiccan rites into everyday modern life, this is the book for you. Multiple contributors have given an evenness to the many chapters on pop culture paganism and the cultural extremism associated with witchcraft. Many topics provide food for thought about how media and history have combined with spirituality and belief to shape Wicca as a canon.

Pop Goes the Witch:

    The Disinformation Guide to 21st Century Witchcraft

is not so much about witchcraft per se but a media savvy examination of how witchcraft as Wiccan practice falls between the sheets of modern life. Many Wiccans worry about how to perceive themselves and define themselves for the purposes of the perception of others. But there are chapters regarding Woodcraft and Gardencraft which specify particular Wiccan practices. Thoughtful and diverse essays
provoke imaginative and fruitful consideration of the topic.

This is for an adult reader who can come to terms with the many sub topics such as gay witches, occult practices, witch fiction, advanced observance of seriously in-depth Wiccan beliefs and witchcraft as lifestyle and driving raison d’etre. The many lenses and voices of the authors and pieces included in the book form an anthology of informed exposure to Wicca unlikely to be matched in more general books.

There is a surprisingly relevant chapter on churches with relationships to Wicca and witchcraft authorities that can serve as guides to learning more. Despite its facile presentation, this is an important primer in modern witchcraft as candidly explained and a good cultural training concerning the modern Wiccan universe.

Pop! Goes The Witch: The Disinformation Guide to 21st Century Witchcraft

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The Book of Shadows by Phyllis Curott

Fans of the TV show “Charmed” know that the Book of Shadows is a tome that unearths mysteries and spirituals occurrences in the witchly realms. This book is subtitled as “A modern woman’s journey into the wisdom of witchcraft and the magic of the goddess”, a lofty goal to be sure.

This is a first person narration of an investigation and participation into Wicca and the rites and beliefs as practiced actively. Phyllis Curott is billed as a Wiccan High Priestess, who attends a local coven and contributes to the lore of religious shamans, healers, and spiritual followers of Wicca. Curiously Curott also maps her journey in the “real world” as well in the business workplace as a contrast to her Wiccan activities.

This book is meant for a mature audience is completely a text volume with no pictures. The readership should be college-age level or above to comprehend not the Wiccan culture presented but the author’s own journey, that of a mature woman who learned Wicca as a law student and built a business career perpendicular to her witchcraft lifestyle. Her perception of the mystical rites and her correlation of her experiences to her own working life is an unusual perspective.

While the story may not be for everyone, the author as narrator does inform the reader as to the concepts involved in Wiccan lore as a modern person might encounter and disseminate them. Curott makes a book somewhere between Bridget Jones Diary and The Celestine Prophecy“. Her boss is nicknamed the “Volcano” and she tempers breaking her legal teeth on difficult clients with episodes of contrapuntal relaxation and spirutual connectedness of Wicca.

Anyone looking for their own answers in life will feel a strong intuitive sympathy with Curott as she navigate Wicca and a law career with informative, entertaining results. Investigation of runes is an enjoyable sideways trip. But anyone who has felt the draining energy of a difficult day at work may be tempted to cast their own circle and wish their boss some “healing”.

Book of Shadows: A Modern Woman’s Journey into the Wisdom of Witchcraft and the Magic of the Goddess

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